The aesthetic reference for SDARM photographic work sits closer to contemporary photo-documentary than to stock photography. Think of Martin Schoeller without the extreme close-up, of Sebastião Salgado without the excess drama, of Steve McCurry without the orientalism.
What interests us: the light coming through the window of the worship hall on Sabbath morning. The conversation after the service. The child asleep in her mother's lap during prayer. The elder helping a young person find the passage in Scripture. These moments exist — the camera merely records them with care.